
The white is solid, and without beads - Splendor #802. I will later go ahead and make 3 rows of stitching around it, as I have started on the second one. I was tired when I drew the extra stitches, and made a mess on the upper left side - but it won't show, as I have planned to have each one framed individually, using an ultra suede mat, and having the ornament slightly padded - which is why I added the extra rows.

There are clear beads on the reddish background, applied with Anchor floss in the same color as the silk - so the beads are not conspicuous, and don't interfere with the design. When you click to enlarge the picture, you will see that I marked the stitches for placement of beads to make it not confusing. (meaning I don't have to think as I stitch) I thought they needed to be there to relieve a rather plain area. The white is solid, again, as just background.
I chose a Soie Cristale (Caron) color that isn't as bright as it is painted, although the paint color is true to the actual pottery of this pueblo. I plan to use them close together on a wall, and wanted the terra cotta color and this one to blend well.
Now - off to bed to read my new books on "Acoma to Zuni" pottery - and also Zuni Rainbird designs. They have just arrived from Amazon, and I look forward to yet another fascinating learning experience about symbolism, slips, methods of construction and firing, etc., and differences in style among the various pueblos.
4 comments:
Very nice, and you are moving very quickly!
Hi Judy,
I enjoyed reading why you picked out which beads for which area. :-)
Cynthia
Windy Meadow
Nice work, Judy. I've spent a little time in NM and love the pottery also.
very pretty...i love the colors and beads...perfectly suited for needlepoint, very graphic..
xoxoxo
g
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