I'm still in the process of going through boxes in the garage, trying to find things from the big move - and dug out my Madeline's needlework bag I had given her several years ago. As she was the daughter of two lawyers, she actually had a will at the age of 13, and left me this lovely bag and its contents.Now that it's been a little over two years since we lost her, I could go through it without shattering into pieces - and found the very first issue of Needlepoint Now that I wrote my article for. It was May/June of 2007. Funny thing - Carole Lake was my neighbor, but we never had time to meet for coffee at the neighborhood coffee place for a good giggle and gossip session.
Anyway, writing for this magazine has been a life-line that has held me together, as I told Elizabeth Bozievich not long ago - it's what has kept me going for the last few years, as it came at a time when great stress and crisis were beginning, and I was just recovering from a near fatal episode of heart disease - things like a son going to Iraq, and my children deciding I needed to move out of my house and into my daughter's guest quarters to be sure I had proper care. (I was not nice about that one!!)
To back up a bit, I think I was primed and ready for it when Joyce Lukomski asked me to do it, as I had spent recovery time playing with my new toy - the computer my son gave me. I was given two or three months time left on this planet, but put off exiting, as I found the art crazy quilters, and the wonderful world of blogs, and new inspiration for needlepoint design just everywhere I looked, as well as wonderful friends I never knew were "out there." - so had to put it off a while. (That was 4 1/2 years ago).

Then just when I was facing the big move 3 1/2 years ago, Joyce contacted me - and it has given me a continuity of purpose and the next deadline to meet, and the next project to work on - something organized and necessary on which to focus!! I'm ever so grateful this opportunity came along.
I lost my beloved granddaughter two years ago, and without the article to think about, I would probably by this time have fallen into a heap of useless rubble on the floor.
I was in my replications of crazy quilts phase in this first article, and Allison Aller, who had become my dearest internet friend (Allie's in Stitches) pieced a special square for me to use - but in the final proofing, the un-embellished one was shown. Oh well.
It's a beauty even without embroidery.I didn't realize until tonight, looking through the magazine, that Liz Morrow (Lizart) had a nice spread in that one. At the time, I had no idea who she was - this one is called "Flowers of Color," which surprises me, as Liz is normally thought of as the best of the bargello ladies. I do enjoy communicating with her by e-mail. (Love this internet thing)
The ads are different in the 2007 issue from the way it looks in this current issue - I think ornament designs are more plentiful and more vibrant, or something. (Elizabeth is doing a great job, as is the "ad lady" Sarah!)
Also, I was amused by this Kreinik ad, as it touts the "gourmet" metallics as the newest thing. How far they've come now with the Holographic series - and gourmet, yummy as it is, is old hat.



