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I left the blue patch on the upper left bare of embellishment, as it is the glorious spring sky! It's a little bumpy because it might rain. This stitch is a good example to show the difference in the intensity of a color when the light hits the long stitches, (light and shiny) and then is broken up by the tiny basketweave in between to be a bit darker and duller. The thread is Caron's Soie Cristale.
The flowering peach tree branch is now against a background of dewdrops - the clear Sundance beads, #250, which were applied with DMC floss in the yellow to match the yellow petite Very Velvet.
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I may decide yet to put a little spray of wisteria hanging from the top of the blue patch - later. It could probably be done with the needle blending technique and cotton floss that Anne Stradal uses to make skies for her lighthouses - I would make the flowers in French knots, and progress from darker purple at the top down to white at the bottom of the blossom.
I forgot to mention the bracelet of aquamarines - I used beads for these, as they needed to sparkle. I did look up the symbolism for the daffodils and aquamarines, but forgot where I put it. Oh well.
3 comments:
Love all your hearts, Judy!
Very nice! You can just reach out and pick the Daffodils! Mine were just covered in snow yesterday!
The detail in the bead work is wonderful. The whole piece is just lovely.
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